http://www.nytimes.com/2016/09/25/arts/television/geena-davis-the-exorcist.html 2016-09-23 20:02:05 Geena Davis Talks About ‘The Exorcist’ and Women Onscreen Ms. Davis is playing Angela Rance, a Chicago hotel manager, wife and mother, in Fox’s retooling of the 1973 horror classic. === By her own admission, Geena Davis is not the norm when it comes to gender disparity onscreen. “I’ve been really lucky to play a lot of important roles in movies, and I got to be really cool things,” she said, ticking off a list that includes a baseball phenomenon ( Now she’s Angela Rance, a Chicago hotel manager, wife and mother of two daughters, in Fox’s “ It’s the kind of tantalizing role that Ms. Davis, now 60, had spent the last decade searching for since The pilot is scary, but I hear the show gets even scarier. We’re blown away, because every time we get the next script we’re like, “Oh my God, now what’s happening?” It’s going to get hella scary. [Laughs] There’s evil afoot, and the story grows to be far beyond what happens in our family. Had you seen the original movie? I was scarred for life when it came out. I already had enough problems with ghosts under the bed, ghosts in the closet and believing in every possible superstition. Seeing that added to the pile. Why did you found your gender institute? The impetus was my daughter. I was very aware of the lack of great female characters in film, because I was living it. And when “Thelma and Louise” came out, the reaction was so overwhelming that it made me realize how few opportunities we have for women to feel like I had no clue that children’s media in the 21st century would be wildly imbalanced. And as a mother, I was horrified because what message is that sending to kids from the very beginning if the female characters are narrowly stereotyped or hypersexualized or not even there at all? How do you make your point? I go to meetings at the guilds and networks and studios and production companies and present the research in a private and collegial way. And the reaction is fantastic, because they’re shocked and horrified, and they want to make change. You recently introduced a tool that can measure not only how much time women are onscreen but also how much they speak. What have you learned? Women are not only fewer characters and have fewer lines, but they’re onscreen less when they Many women said “Thelma and Louise” changed their lives. What about yours? It dramatically changed my life, because that’s what made me so interested in how women are represented onscreen and wanting to help change that. And this is my passion now.